Facing The Storm: a Love Letter to Bison
Bison love is a rare, special thing. It encompasses a passion for both the flavourful meat and the lovely, lumbering beasts whence it came. Growing up in Missouri and then moving, 20 years ago, to Montana, Doug Hawes-Davis knows a little bit about this love.
And Facing the Storm, an epic account of our evolving relationship with these magnificent creatures, is his cinematic tribute to same.
The film, a coproduction with the Independent Television Service and Montana Public Television, explores in vivid visual splendour recent efforts to protect and restore bison to their once-thriving status. Reaching back 10,000 years, the story tracks the forces that decimated this animal’s population on the Great Plains in the late nineteenth century.
More than that, it provides a hopeful note going forward, concluding that—with bison ranchers’ considerable participation—there is reason to imagine a prosperous future for this iconic symbol of wild North America.
Canada figures prominently in Facing the Storm, thanks to scenes filmed on various Alberta ranches and interviews with Blackfoot natives and Cormac Gates, a prominent geneticist from the University of Calgary and one of the world’s leading wildlife conservationists.
As much historical documentary as wildlife romp, Facing the Storm chronicles the ancient association humans enjoy with the continent’s largest land mammal. From the earliest of North America’s occupants—for whom bison was a reliable source of food, shelter and clothing—to modern wildlife conservationists whose ranks include descendents of bisons’ longstanding indigenous fans, the movie provides compelling insight into an important subject: namely, how mankind managed to almost wipe out 30 million animals in fewer than 50 years—and what’s being done today to ensure their survival.
Hawes-Dawson learned much over the course of the production, but one of the things that most struck him was the herd’s apparently empathetic response to one of its own passing away. “Invariably, when one bison [dies], all of the other animals surround it, nuzzle it, nudge it,” he says. “It shows that they have a social structure and they’re interested in individuals at a very basic level. To me, that’s significant.”
More significant is the ultimate conclusion the film draws, expressed through the words of the many ranchers Hawes-Dawson interviewed. “Each of them had a different operation, a different personal perspective, a different rationale for being in the business. But all of them had one thing in common: they believe that the key to bison restoration is, in large part, promoting people’s interest in bison as food. It keeps a public interest in the animal.”
But the filmmaker acknowledges that the task ahead is a big one. Critical to the effort is buy-in from those folks with formal oversight of bisons’ existence. “What it comes down to is bison ranchers taking an interest in these issues,” he says. “If that happen’s I think they could play a tremendous role in bison conservation.”
Facing the Storm premiered at the Kansas International Film Festival in early October and will eventually air on PBS. Watch the website for dates and times.
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